Thoughts From Marsha


What is the Reason You Are Painting That?

 

What decisions you make, do you believe are of benefit to your audience? The ones that are cool enough to get my attention?.......


This is going to be a "rambling" sort of blog post. It is a stream of thoughts I had, and decided I needed to write about it. But when putting it down in print, it seems somewhat disjointed.  The title is what I want to talk about, so I hope you get something from the rambling thoughts typed here.

 

Why are you painting what you are? At some point in the past years, my decisions have been about the objects I am painting, not "why" I'm painting the subject. And, I feel they have not been as successful in my eyes, nor in the public's eyes. This is important to me. Though I paint for myself, what I love or am intrigued by, I also paint for others to enjoy it.

 

I have painted for more than 45 years, many early ones were lots of trial and error and a lot of fun. I painted anything that struck my imagination. I think I learned loads and I had a lot of happy, accidentally good paintings! People liked what I painted. As the sales and awards came along, I started painting to fit galleries and shows, marketing, etc. I feel that I lost some of who I am, and it has become very hard to figure that out again. I am making progress now though.

 

When we give in to "producing" instead of "creating," I believe we lose a little bit of the artist's soul in our work. It becomes about copying something in the past that was successful in the retail or the show / exhibition arenas. Sure, many of us need to make some money to continue being able to create our art. It really is a very fine line in this respect.

 

As I am trying to find my way again, the benefit for my audience should be more feeling in the painting, maybe a story they can make up for themselves. At my galleries or in shows, I purposely don't start talking to a viewer until I know they are intrigued by something. I have always instinctively known to do this. I then ask them, "tell me what you are seeing or thinking." I don't want to tell them my "why" until I know the answers to those questions... and sometimes they never get to hear my why because it might keep them from enjoying the painting from their own perspective. We paint for ourselves, but also for the audience to enjoy. I believe in letting them enjoy the story they see.

I know many artists and teachers talk about "why" being of critical importance. I am talking about "why" paint the idea you have. Ask yourself the question! Know why! Write it down if possible. Then the successes may come more easily. Ask yourself why a certain stroke or color. Ask if there is something done that needs changing. Ask yourself what do you want people to look at first. Ask is there a story implied here. I know I am also talking a lot about why certain techniques, or why change something that does not seem or feel quite right. All of it is important! All the "why" questions that can be used will make for more success. Again, write them down. Check them off your list as you work on each of your why questions.

 

Many times we just know instinctively we want to paint something. Whatever you do, don't lose that thought during the painting process. Keep coming back to the reason for the painting. Why!

These thoughts are an accumulation of ideas and topics I keep coming back to when in my "thinking mode!"

Be sure to comment on them!

Marsha Hamby Savage


Comments

4 Responses to What is the Reason You Are Painting That?

Many times, what catches my eye is the light or the color. I try to translate that wonder into a pastel painting. Sometimes, I think I have, others, not. My cover photo on Facebook is one of those in which I succeeded (or I think so). I tend to be attracted to the joyous moments. My art tends to be one-sided in that. But I'm still learning. Someday, I will be versed enough in color and stroke that I will be able to make the somber moods come through, and the joyous will be more successfully done. Your paintings are filled with both light and color. Together, they bring a mood to life. To me, the one above is a tranquil painting, reflecting an introspective moment. In the scene, my eye is attracted to the little, sunlit tree on the right. It's as if it is looking at the rock and envying the rock's eternity. The light will disappear, the leaves fall, and the tree eventually die. The rock will remain. Though, I might be reading too much into it!

Hi Maria, thank you for your well thought out comment. I think every "viewer" brings their own story to the painting. I enjoy hearing what you says to you. That is truly what it is about. So, I would say you are not reading too much into it. I am also with you about making my paintings joyous and they can be that in bright sunny days, and they can also be that in moody and introspective days. Lately I have been exploring the moody side of days... mornings with mist, etc. There is a soothing feeling to those, but still joy in feeling that also.

Great thoughts, Marsha! Without the "why" the painting falls apart.

Hi Sharon, I appreciate your comment and definitely know the "why" is so important! Hope to see you sometime soon.


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